THE TYPES OF ARTISTIC IMAGERY IN KAʿB IBN ZUHAYR’S QASIDA “BAANAT SUʿAD”

Authors

  • Maryam Saidmalik

DOI:

https://doi.org/10.57033/

Keywords:

Kaʿb ibn Zuhayr; Baanat Suʿad; qasida; artistic imagery; tashbih; istiʿara; Arabic poetry; poetics; Islamic literature; badiʿ tajrid.

Abstract

This article analyzes the types of artistic imagery and poetic devices 
employed in Kaʿb ibn Zuhayr’s qasida “Baanat Suʿad,” regarded as one of the earliest 
masterpieces of Islamic literature. The study highlights the poet’s mastery in utilizing 
artistic techniques such as simile (tashbih), metaphor (istiʿara), allegory, and irony, and 
examines their semantic and phonological dimensions. The analysis further explores 
the harmony between Pre-Islamic (Jahiliyya) poetic traditions and the Islamic spirit 
manifest in the literary devices of the qasida, with particular attention to the descriptions 
of Suʿad, the garobil (sieve) simile and its phonological significance, and the rhetorical 
device of tajrid (abstraction).

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References

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Published

2026-05-21

Issue

Vol. 2 No. January Issue (2026)

Section

International Conference on Social Sciences and Humanities Research

License

Copyright (c) 2026 Maryam Saidmalik (Author)

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How to Cite

THE TYPES OF ARTISTIC IMAGERY IN KAʿB IBN ZUHAYR’S QASIDA “BAANAT SUʿAD”. (2026). The Journal of Interdisciplinary Human Studies, 2(January Issue). https://doi.org/10.57033/